A harmonious repeated pattern featuring delicate red flowers with green foliage against a pale background. John Henry Dearle was a prominent designer working at Morris & Co. in London, Dearle created numerous iconic designs developing a distinctive style within the Morris tradition.

The Marigold design by William Morris is a highly intricate and organic pattern that showcases his signature style inspired by nature. The design features a dense and rhythmic arrangement of marigold flowers, curling leaves, and stems, creating a rich, flowing composition. The marigold flowers are stylized, with rounded petals and prominent centres, interspersed with graceful foliage that fills the space in a balanced and harmonious way. Striking navy against a neutral earthy beige.

The Larkspur design by William Morris is a classic example of his intricate and nature-inspired patterns. It features a dense arrangement of intertwining foliage, flowers, and stems, creating a lush, tapestry-like effect. The design is centred on the delicate larkspur flowers, which are depicted with stylized blossoms and pointed petals, alongside smaller floral elements and leaves.

Painted in 1912 by Egon Schiele, this work is a striking display of line, colour, and form. The crouched position of the nude figure adds an element of tension and vulnerability to the piece. Notable for its bold use of colour, this artwork is a testament to Schiele's unique style that bridged between Impressionism and Expressionism.

William Morris's "Bachelor's Button" is a classic textile design that reflects his deep connection to nature and mastery of intricate patterns. Created in 1892, this design features delicate floral motifs, primarily inspired by the bachelor’s button flower (commonly known as cornflower), entwined with winding stems and stylized leaves. The composition is symmetrical and rhythmically flowing, showcasing Morris’s signature approach to organic design.

William Morris's "Chrysanthemum" design is a captivating example of his talent for creating intricate and nature-inspired patterns. This textile features stylized chrysanthemum flowers in full bloom, surrounded by gracefully curving leaves and vines, arranged in a rich, repeating composition. The design is balanced yet dynamic, showcasing Morris’s ability to infuse movement and rhythm into his patterns.

William Morris’s 'Compton' print showcases his signature style of intricate patterns and organic shapes. The flowers and leaves are rendered in shades of orange, pink, blue, and green on a backdrop of deep brown and teal hues, creating a harmonious balance between nature and artifice.

The Blackthorn tapestry is a beautiful example of the intricate and vibrant style of design that was popular in Victorian England. This piece, created by John Henry Dearle, showcases his talent for designing complex patterns. John Henry Dearle was a prominent designer working at Morris & Co. in London, Dearle created numerous iconic designs developing a distinctive style within the Morris tradition.

William Morris’s “Arcadia” is a masterful textile design that embodies his vision of an idealized natural world. Featuring a harmonious interplay of intertwining vines, delicate flowers, and lush foliage, the pattern evokes the classical concept of "Arcadia" as a serene, pastoral paradise.

"Lily and Pomegranate" is a striking textile design by William Morris, first created in 1876. The pattern is rich with symbolic and natural motifs, combining the elegant lily flower and the pomegranate, both of which carry significant meanings in Morris’s work. The lily represents purity and beauty, while the pomegranate is often associated with fertility and abundance. These motifs are intricately arranged within a repeating, flowing pattern, set against a background of lush, swirling foliage.

Drawn in 1918 this piece is black crayon on paper and shows a woman seated but tilting herself at an angle wearing a corset and boots. The work is an exceptional demonstration of Shiele's ability to create depth, complex form and striking art from simple lines.

The sketch, drawn is 1918, portrays a tender embrace between two figures, one older and one younger. Their proximity suggests an intimacy that transcends generational differences, hinting at themes of companionship, love, or even a mother and child relationship. The art style is expressive, with visible lines and shading that add depth to the scene. Egon Schiele's signature use of color and form is evident in this piece, capturing the essence of the moment beautifully.

The haunting tale of the coronation of a dead Queen, told alongside the painting. Writing reads: Inês de Castro was born into a noble Spanish family and came to Portugal as a lady-in-waiting to Princess Constanza Manuel, who was married to Don Pedro, the heir to the Portuguese throne. Despite her initial role, Inês quickly caught the eye of Don Pedro, who fell deeply in love with her, leading to a secret romance. Although their relationship faced many obstacles, including the opposition of Don Pedro's father, King Afonso IV, the bond between Pedro and Inês grew stronger over time. After Constanza’s death, the couple secretly married and had four children, but their happiness was short-lived. Afonso, still disapproving of the union, had her brutally murdered. When Pedro became king, legend claims he sought revenge, exhuming Inês’ body and declaring her his lawful queen in a dark and symbolic ceremony in 1361.

Egon Schiele’s 1918 torso study captures the raw and unadorned essence of the human form. The figure is depicted in a dynamic pose with one arm extended upwards, suggesting movement or expression. The absence of facial features highlights the universal themes of form, structure, and vulnerability that Schiele often addressed in his work.

Created in 1918 using a woodblock printing technique, Woman Applying Makeup is the first of only seven beauty prints published during Goyō’s lifetime. The subject is a Geisha captured in an intimate moment and the appreciation for detail and skill builds as this piece is viewed.

La Orana Maria (Hail Mary) by Paul Gauguin is an oil painting created in 1891 during Gauguin's first visit to Tahiti. The artwork blends Christian iconography with Polynesian culture, illustrating Gauguin’s fascination with the island’s people and their way of life.In this painting, Gauguin portrays the Virgin Mary and the Christ Child with distinctly Polynesian features, dressed in traditional Tahitian attire. Mary is shown with a blue and red wrap around her, while holding the infant Jesus. The figures are surrounded by two women in traditional pareo garments, who are depicted with hands in prayer, paying homage to the sacred scene.The backdrop features a lush, tropical landscape, rich with vibrant green foliage, bright flowers, and the warm colours characteristic of Tahitian nature. This combination of sacred imagery and local culture showcases Gauguin’s attempt to merge Western religious themes with the exotic mysticism he found in Tahiti, creating an intriguing synthesis of spiritual and earthly elements. The painting exemplifies Gauguin’s Post-Impressionist style, using bold colours, simplified forms, and symbolic elements to evoke emotion and spiritual resonance.